HEAL
Collective
Hostile Environment / Art-fuelled Learning
CV and creative Portfolio
creative Directors:
Allan Njanji, anna ball, margaret ravenscroft
SUMMARY
Hostile Environment, Art-fuelled Learning (HEAL) is a research-led migration arts learning collective who produce powerful co-creative projects with communities affected by the UK asylum system. Mobilising our skills as filmmakers, photographers, writers, sound artists, producers, researchers and community educators with and without lived migration experience, we empower migrant voices, transform community understanding and strive for creative healing from social division and injustice.
CONTACT
email: healcollective@outlook.com
phone: 07780 530932
address: Dryden Enterprise Centre, NTU, Dryden Street, Nottingham NG1 4FQ
instagram: @healcollective_
CO-CREATIVE PROJECTS
Cecilia’s Story: Ghosts of Yarl’s Wood Arts documentary film and Project Lab exhibition. National Justice Museum, October 2024 (currently in production)
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The World is for Everyone Writing anthology / sound poem/ photography exhibition. Palewell Press / Nottingham Central Library, June 2017-19
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Rites of Passage An architects brief for a new kind of sanctuary reception centre, submitted for the Davidson Prize, March 2023
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Voices Documentary / podcast. Bonington Gallery / online, 2023
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Owning Our Words Group writing anthology, released online for Anti-Slavery Day 2020
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LEARNING AND ENGAGEMENT
Art of Belonging: Practice sharing and training for artists and creative practitioners Nottingham Contemporary, 26th June 2024.
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Creative Collaborations for Social Justice; Shining a Light on Immigration Detention National Justice Museum, Nottingham, 29th April 2024
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Transformations: Agency and Social Change module in partnership with Refugee Week UK Nottingham Trent University, level 6 BA Humanities degree
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HEAL Inaugural Conference, ‘Seeking creative approaches to sanctuary’ Bonington Gallery, NTU, June 2023, in collaboration with Counterpoints Arts
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RESIDENCIES AND INVITED PRESENTATIONS
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SELECTED PRESS
AND PUBLICATIONS
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DIRECTORS
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Dr. Margaret Ravenscroft
Dr. Anna Ball
Dr. Allan Njanji
Creative Portfolio
2024
Cecilia’s Story:
Ghosts of Yarl’s Wood
2023
Voices
2023
Rights of Passage
A co-created documentary narrated by Cecilia Mwenda, survivor of detention in Yarl’s Wood Immigration Removal Centre in 2008, with her young son. The documentary will be premiered at the National Justice Museum in October 2024, and accompanied by an exhibition in the Project Lab, comprising stills, text and interactive exhibits that both shine a light on the secretive mechanisms of the immigration detention system, and that call for change in its operation. Directed by Allan Njanji and Anna Ball, with Cecilia Mwenda. Currently in production.
From mainstream media to political protest, artistic creation to community activism, what does it mean for refugees ‘to have a voice’? Documentary exploring the politics of voice for people of lived refugee experience, directed by Allan Njanji as the practice-based element of his PhD project in documentary-making. The project drew on the director’s own community connections and presents a self-reflective narrative also exploring his own journey to creative voice.
A co-designed architectural brief submitted to the Davidson Prize, led by Margaret Ravenscroft as a collaboration between Coffey Architects, Dion Barrett, Room for Refugees and Anna Ball at Vanclaron CIC. The project drew on workshop material generated by people currently seeking asylum and housed in Home Office-run hotels in order to produce a design for a new kind of group-build community and scalable sanctuary reception centre.
2020
Owning Our Words
2017-19
The World Is for Everyone
2019
Walking With the River
Anthology facilitated and produced by Anna Ball, co-created with Survivors Alliance: a charity supporting survivors of modern-day slavery. The anthology emerged via online workshops conducted across the UK, India and Cameroon during lockdown in 2020, and resulted in a publication releaed for Anti-Slavery Day in October 2020.
Multi-strand project that emerged over 2 years in collaboration with the Pamoja Women Together Group at Nottingham Refugee Forum. The project began as a multilingual creative learning experience in response to the work of Maya Angelou, and initially resulted in an exhibition of photography and poetry called ‘And Still I Rise’. Subsequent place-based creative learning sessions generated recipes, group poems and reflections collated as an anthology. Co-facilitated by Anna Ball and Margaret Ravenscroft.
Within The World Is for Everyone project, creative facilitators Anna Ball and Margaret Ravenscroft pioneered river-walking workshops, which involved participants self-recording conversation and sound in response to creative prompts. These were collated and produced as a sound poem by Anna Ball in collaboration with Andrew Brown. The sound poem has been aired as a performance piece during a number of public readings by the Pamoja group.
Contact
healcollective@outlook.com